Mira Schendel and Karin Lambrecht

Cecilia Brunson Projects
Mira Schendel and Karin Lambrecht
Karin Lambrecht, 1957
Dear Friend, 2020
Copper, rainwater, charcoal, and pigments in acrylic resin on canvas
161.0 x 159.0 cm (63.4 x 62.6 in)
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The shape of the cross also recurs throughout Lambrecht’s work, appearing both in the form of crucifixes and square crosses. Sometimes these crosses are written into the work as the letter “t”, at other times they are physically attached in the form of copper strips which pierce the canvas. This variation alludes to the ways Lambrecht attempts to occupy and explore a middle ground between the religious and the secular. Although not a religious person herself, Lambrecht is interested in religious tradition as well as alternative associations with the cross as a symbol of healing and health. For Lambrecht, the cross adds an element of comfort to her work; the cross’s medical associations signal proximity to a place or person that can help or heal.
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Dear Friend, 2020 | Copper, rainwater, charcoal, and pigments in acrylic resin on canvas 159 x 161 cm
The shape of the cross also recurs throughout Lambrecht’s work, appearing both in the form of crucifixes and square crosses. Sometimes these crosses are written into the work as the letter “t”, at other times they are physically attached in the form of copper strips which pierce the canvas. This variation alludes to the ways Lambrecht attempts to occupy and explore a middle ground between the religious and the secular. Although not a religious person herself, Lambrecht is interested in religious tradition as well as alternative associations with the cross as a symbol of healing and health. For Lambrecht, the cross adds an element of comfort to her work; the cross’s medical associations signal proximity to a place or person that can help or heal.
... read more